10-23-2015, 11:08 PM 
	
	
	(10-23-2015, 08:22 PM)rayheinrich Wrote: (These are NOT intended as haiku, they're just poems with 2 stanzas of 3 lines.)
Well, I'm growing to hate blank space. Scrolling's such a bother without a proper keyboard!
< 8 flower tales >
1 -
all winter
the spring
grew inside us And I just finished rewatching "Frost & Fire", plus a few other episodes of Adventure Time. I'm gonna comment at all this again with those in mind.
now
our mouths open
and flowers tumble out As before, I don't exactly see why "tumble" instead of "fall". The more varied meanings of fall makes for a more novel read, methinks: vomiting rainbows (funny), fluttering moths (horrific), both--
2 -
the rush of sprouting
of shoots A bit thrown by the lack of a comma here. But not enough for a change of styles.
pushing aside old leaves
of stems ascending
as the buds
inflate to airy flowers "Airy" speaks "farts and balloons" to me; with "inflate", those silly thoughts could easily overpower "flowers".
3 -
the bees warn us Breezy!
Second run: I love this line so much now. Vivid, strong, and loaded perfectly: oh! Not unique on its own, sure, but the perfectest little cog in the machine!
as the mouths of flowers
open wide to swallow us
but since it's spring
we jump
right in And so the turn. Second run: or, the beginning of it. Smooth like nectar.
4 -
wheels
their axles
through the ground
swerve over us
with the curve
of the sky Segment I don't entirely understand yet. I'll return some other time with hopefully better understanding. For now, "their axles / through the ground" makes me see actual axles running piercing mother earth (oohlala), and "swerve over us" feels like an aborted image (oh my dearest).
And so, that was quick. I still don't, to the fullest, but enough I think to continue on. My earlier points still stand, though I can now understand how they could be deliberate (or at least the second one could) -- but ah, the stars!
5 -
as the afternoon
advances
the petals add
determining
if you are loved
or not Here we go, deeper into the thing! I must add that "advances" and "determining" feel ever so slightly superfluous; they add crucial movements, but only movements, and one that could be mixed with their neighboring lines. Still.
6 -
the waste basket
holds
these yellow flowers Back to the flowers, now duly described. Here, we get to the height of the last two segments: now, the stars, the flowers, and the lovers are one. But now, it is past afternoon, and there shall be no nights in white satin for these sweets (haha!) -- it passed not to joy, but to sadness, to sorrow, to stains on the sheets and bits on the bedpan, to sleep....
The repetition of styles here from the fifth part's first strophe feels funky, though, in a bad way. "Holds" could be a fuller word, and it could perhaps be expanded into its neighbors; and does it have to be waste basket? That image feels somewhat too strong for the rest of it, especially with the very explicit next stanza.
Second run: question more for editorial purposes, really. What in Glob's name is the difference between a stanza and strophe, exactly?
tears
you're not sure
who they're for See? This is the most, well, obvious, direct bit of the whole piece, and this is very good in hammering the last nail upon, but "the waste basket" sort of waters down the salt. As much as soft movements are nice, at least in this case, the sudden surprise just feels more natural, or at least more poetical.
7 -
the roundness Here's where I would expect a break in format: now leaning into that other poet I've read a lot of (though not yet nearly as much as he has released), I think this stanza would be better fused with the earlier one. The numerical break feels too far a distance, and the earlier part too ungraceful alone.
of a face
above us
the pleasant sense
of color
that continues I can see red being swallowed by blue -- I can see the surroundings being muted. Not too pleasant at this point for me, but I'm reading "pleasant" as irony.
8 -
after the steady
flowing
of years Ah. Nice one.
Second run: I will always love the word "steady", especially at the end of a line.
the grace
of our hands
turns to flowers "turns to" could just as well be "becomes", but of course "becomes" has fewer meanings than "turns to". Now here, I'm not sure what on that point you're exactly stating, so a bit of enlightenment's welcome. Beautiful ending: reminds me of, again, Breezy (oh flower), and this, sort of:
And the picture is perfect.
- - -
Obviously I loved all of it. Except the bloody blank space, haha.

 

 

![[Image: flowertale.jpg]](http://wordbiscuit.com/im9/flowertale.jpg)