Evening Romance

[Rcklay]

Do the L's, F's and N's have further significance?

The part that stands out is the first line of the second stanza where the L L L gives way or takes to F.

When you go all the way with such an angle, the only critique could be with small connective details, the most small and subtle word choices. To enrich the power within the gimmick.

There’s no significance beyond the alliteration. I’m not wed to the gimmick and am open to suggestions about other word choices that might enhance the impact of the overall piece.