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I am thinking of you
in the slow train's rolling,
in double glazed harbour windows passing by;
and the stories within them,
the shadowy lives
of unsaluted lovers
for whom no bells are tolling.
~ I think I just quoted myself - Achebe
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it worked till the play on j. donne's words and then i also thought of hemmingway's novel and no man is an island concept. mmm maybe it did indeed work
Posts: 580
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Joined: Oct 2015
(11-20-2016, 06:26 PM)billy Wrote: it worked till the play on j. donne's words and then i also thought of hemmingway's novel and no man is an island concept. mmm maybe it did indeed work 
Thanks billy
I think the key is in L5 and L6 - important to have the right words there and I don't think they're there yet
~ I think I just quoted myself - Achebe
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(11-20-2016, 06:13 PM)Achebe Wrote: Like this.
I am thinking of you
in the slow train's rolling,..................love the movement in these lines
in double glazed harbour windows passing by;............don't get the 'harbor" allusion. Otherwise good imagery.
and the stories within them,
the shadowy lives
of unsaluted lovers .................good lines
for whom no bells are tolling.....................this twisted quote does not work for me. Nothing to suggest, but I am sure you can find a stronger end line.
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(11-20-2016, 06:13 PM)Achebe Wrote: I am thinking of you
in the slow train's rolling,
in double glazed harbour windows passing by;
and the stories within them,
the shadowy lives
of unsaluted lovers
for whom no bells are tolling.
I like how the ending brings in the element of mortality as an overlapping element to the theme of dying love. 'Shadowy' makes me think of illicit love, while 'unsaluted' feels like there's something noble in it, a job well done that's going unrecognized. This could speak to the ambivalence of the speaker, or it could be a dissonance of meaning. But, I think you sent the scene beautifully, and there's something very universal here.
Meep meep.