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		Rules: Write a poem for national poetry month on the topic or form described. Each poem should appear as a separate reply to this thread. The goal is to, at the end of the month have written 30 poems for National Poetry Month. 
Topic 15: Write a poem from the perspective of an unreliable narrator.
Form : any
Line requirements: 8 lines or more
Questions?
	 
The secret of poetry is cruelty.--Jon Anderson
 
		
	 
	
	
			just mercedes Unregistered
 
 
		
 
	 
	
	
		Tamara
 
 This book is a city, a cage, a woman, Queen of a Kingdom.
 The walls, covered in signs and messages, directions
 and holes, are pages you turn to decipher the news
 of quelled rebellions, exiled husbands who attack
 backed by Turkish forces, the state of the markets,
 harvests, and banks. Victory belongs to eyes like
 fresh water pearls from an Oriental river.
 
 Above the river on a bleak crag broods a tower,
 ancient, rocky. Light glows at night from the top
 like sympathy, a huge room holds a billowy bed,
 a woman, beauteous, who lies legs spread, waits
 for a traveler to ensnare. She’s also a virgin.
 
 She calls “Farewell”. The traveler leaps into the river
 or takes wing. Her voice is the voice of a woman, a city,
 a cage, a Queen, the voice of an unopened book
 in the library that is this world, faint weeping, tender
 and sweet.
 
		
	 
	
	
	
		
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		'He had to have cheated on her,she's such a horrible person.
 If they're such a perfect couple
 why would they split?
 
 I heard them shout at each other!
 It was horrible to listen,
 Their relationship had trouble
 She deserves it.
 
 Of course I'd have made an offer,
 He should be with a real woman
 At least someone who's not sterile,
 who can have kids.
 
 He'd make an excellent father,
 I have no doubt she's the reason,
 always has to be in control,
 I could just spit!'
 
Peanut butter honey banana sandwiches
 
		
	 
	
	
	
		
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 Joined: Nov 2011
 
	
	
		         ![[Image: LoneStarBeer.jpg]](http://wordbiscuit.com/im17/LoneStarBeer.jpg) 
                          My name is George and I'm a friend of Ray,  
                          the person who is writing this. 
                          Ray has yet to tell me that he's writing this,  
                          but knowing Ray,  
                          I'm pretty sure he intends to tell me later.  
                          If he does,  
                          I'll probably agree it's pretty close to what I would have said.
                           
                          I have another friend whose name is Mike.  
                          Now Mike isn't his real name,  
                          but I'm going to call him that because he doesn't trust the government.
                            
                          Mike believes there is a one true god and he believes that it's his.  
                          I believe that all the gods that everybody claims to be  
                          the one true god are the same god.  
                          Ray assures Mike that I'm right. 
                          I think Mike is a fanatic and Ray is a weasel (but the nice sort).
                           
                          Mike thinks there's a reason for everything; I don't.  
                          Ray not only agrees with Mike, but claims that most of the time  
                          he can figure out what the reason is.  
                          Mike was skeptical when he first heard this and asked Ray if he knew why,  
                          out of all the billions of people in the world,  
                          the 142 people on American Airlines Flight 641 had to die.  
                          Ray told him that, at that moment, they were the only people in the world  
                          running into the ground at six hundred miles per hour.
 
                                                                - - -
Author's note: George suffered a serious head wound when he was in the army and is considered very unreliable (especially around beer). 
                                                                                                                           a brightly colored fungus that grows in bark inclusions 
 
		
	 
	
	
	
		
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		Kenneth Patchen Comes to Lunch
 I make collard green rollups with carrot,
 avocado innards, tofurky, and Sriracha–
 sliced on the diagonal.  I forget whether
 he writes or paints his poems these days.
 
 He declares art is a perched walnut
 then launches a story about squirrels
 enough to make Dostoyevsky blush.
 
 We drink lime water from canning jars.
 The cat curls in his lap, its tail flitting
 like a broken windshield wiper as he
 
 tells the story of Two-finger John at the riverbed.
 We watch the sun go down, which is always
 a good ending to lunch.  Rexroth sleeps in the car.
 
		
	 
	
	
	
		
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		2
 to sleep                               popping pills across
 perchance                           the highway
 to dream                             Pac Man's
 
 FUCKING WIERD COUSIN
 RUBBING MYSELF ON THE
 GLASS OF YOUR WINDSHIELD
 
 I am your alarm, here to wake you, as you requested.
 
 to snooze                            the clock
 perhaps                               knows you
 to change                            have failed
 
 I am the gate, tenable, waiting.
 
 A GHOST ENTERS
 THROUGH THE MIRROR
 SCARED
 
		
	 
	
	
	
		
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		I swear to the gods! If we ain't the best damn group of poets around, then (even better) we've got brains large enough to think so.
	 
                                                                                                                           a brightly colored fungus that grows in bark inclusions 
 
		
	 
	
	
	
		
	Posts: 1,187Threads: 250
 Joined: Nov 2015
 
	
	
		Tax Narrative
 
 The business didn’t clear a cent this year
 in fact, its salaries and bonuses
 exceeded by themselves its revenue;
 fixed costs and office space were very dear
 while our competitors were geniuses
 and customers ignored their payments due.
 With seven years of losses it is clear
 the time has come to halt its businesses -
 close shop before more losses can accrue.
 
 So welcome, buyer waiting for your turn
 to buy up carried losses that will burn
 through liability for all you’ll earn.
 This sort of thing’s become the modern norm:
 fat bonuses and paychecks raise a storm
 of losses on a business’s tax form.
 
 Non-practicing atheist 
		
	 
	
	
	
		
	Posts: 598Threads: 83
 Joined: Apr 2016
 
	
	
		Control
 I read food labels three times
 before eating; one or two grams of fat
 is my limit. I halve the suggested portion –
 I need to cut my size in half. I'm strength training,
 resistance training – resisting hunger,
 containing desire. There are rules:
 only the tip of my fork can touch food,
 and food can't touch my lips.
 I want to see my collar bones.
 I want my hip bones to rise like islands
 out of the sea when I lay on my back.
 When I stretch out my hands, there should be
 a hollow like a hammock of skin
 above my thumb. Once I realize these goals,
 I'll know I'm strong. Once I've achieved asceticism,
 I can say I'm worthy. Until then, I must run
 longer, farther, steeper – order only coffee.
 There's always pain, the ache of a hollow body, but it's mine –
 once I pay my penance in pounds, I'll be free.
 
		
	 
	
	
	
		
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		From the Cook Pot to the Fire
 “Peter” I press against the weight of my
 bedspread. Red coals lick the fire dogs an arm
 away in the night. I loll. “Peter”
 The rough hewn mossy logs I’d leaned above
 me seem to be a slight bit red. The voice
 still weighs in my ear. “I’m here,” I say.
 Then a fortress gate upon ungreased and rusty
 hinges creaks, creaks beneath the needled boughs
 and out of sight. The winds then rustle more.
 More unmanned partitions creak above me.
 There, and there and there they’ve rooted
 to the forest floor. I strain to integrate
 my eyes - they’ve come unbound together, or
 the coals are licking more than stumps. I sit
 up on my bench and toss my spread away
 to find the air revolting on my skin.
 Bird feather fingers pressing in! IN!
 “Heaven!” I roll to fall to earth. Pine needle
 worms are strewn there - their teeth are bared. I’m on
 my feet again, but the bench has blown
 away as wind. Earth’s matter grows thin so
 the fires within taint red the trees and shadows.
 The coals alone seem to be. I leap
 on them like a man on a turtle in the sea.
 They’re cool like stones on a beach in the moonlight.
 Blue light from somewhere then shines on her feet
 - her nine pink nails glow violet.
 I violently crawl to them, clasp them and
 kiss them; I cling to her calves, climb to her knees,
 but they’re open to the breeze like ashtrays
 - blowing soot in the moonlight. “Heaven!”
 --- They’ll think an old woodsman succumbed to
 bad mushrooms. He succumbed to his grief
 in the forest in the night of his life.
 
		
	 
	
	
	
		
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		Showing some skills there, FM. Strong, interesting breaks and how is it possible that this line did not read as over-alliterated? Quote:I violently crawl to them, clasp them andkiss them; I cling to her calves, climb to her knees,
 
That hard C just pulls the line along in a rush that suits it and with the sonics of the rest of the piece being more subtle it just works. Fun read, something you might want to work on down the road.   
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
 
		
	 
	
	
	
		
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		 (04-16-2017, 09:10 AM)Donald Q. Wrote:  2
 to sleep                               popping pills across
 perchance                           the highway
 to dream                             Pac Man's
 
 FUCKING WIERD COUSIN
 RUBBING MYSELF ON THE
 GLASS OF YOUR WINDSHIELD
 
 I am your alarm, here to wake you, as you requested.
 
 to snooze                            the clock
 perhaps                               knows you
 to change                            have failed
 
 I am the gate, tenable, waiting.
 
 A GHOST ENTERS
 THROUGH THE MIRROR
 SCARED
   
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
 
		
	 
	
	
	
		
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 Joined: Mar 2017
 
	
	
		 (04-16-2017, 05:39 PM)ellajam Wrote:  Showing some skills there, FM. Strong, interesting breaks and how is it possible that this line did not read as over-alliterated?
 
 Quote:I violently crawl to them, clasp them andkiss them; I cling to her calves, climb to her knees,
 That hard C just pulls the line along in a rush that suits it and with the sonics of the rest of the piece being more subtle it just works. Fun read, something you might want to work on down the road.
  
Dog-it if I know why. I know that was the most meaning-rich image for me, and I know I strongly tend to alliteration and assonance. So lucky break? Anyway, I'm pleased you liked it. I'll think of work-shopping it next month.
	 
		
	 
	
	
	
		
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		Birthday Surprise
 
 Yes darling, it's dad,
 well, I love you, too!
 Ya know, it's that time of year!
 I was wondering...
 since you are unemployed,
 yes, and struggling
 I am so sorry...
 I was wondering if I could,
 I mean maybe it's a wee bit dishonest,
 and you haven't lived with me in over 15 years...
 but, I was wondering...today's the deadline...
 I'm on the other line with my accountant.
 Can I write you off as my dependent?
 
there's always a better reason to love
 
		
	 
	
	
	
		
	Posts: 1,139Threads: 466
 Joined: Nov 2013
 
	
	
		elegy for a dead voice 
i will not apologize 
for what i did not do. 
i know, in my heart, 
behind the lies, 
lies someone true.
 
a flat line divides 
allusion and mere reference. 
metaphors can be hints, 
can be overextended. 
the moral prerogative now
 
is to destroy division, but  
we all know there is no such vision  
without the same symbols,  
the same syntax.  
still, i cannot rejoice
 
for the inevitable -- 
it is incomplete.
voces mortui in tegminibus sub terra in
 trabeculis carneis refugient.
		
	 
	
	
	
		
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 Joined: Oct 2012
 
	
	
		Mills & Boon
 One night in Paris
 
 
 I should start by telling you this is a tale of two sisters
 I'm Valarie Goodridge , my sister is Isabelle
 This is a story about our lives.
 
 You will read how I left school, went to uni, slept with the first boy
 I thought I loved and who said he loved me, then married him.
 We both got jobs, bought a house and two cars,
 I miscarried twice before giving birth to my daughter,
 who is now starting at the same school her dad and I went to.
 
 You will learn that my sister never married,
 stayed at the same law firm she joined
 after leaving uni and is now a full partner,
 she has had a string of relationships
 but always calls time before things get too serious.
 She has her own apartment in the city and has started
 thinking about children and what that would mean.
 
 So here we are in Paris on a sisters only weekend,
 my shit of a husband pissed off with a woman
 he met at work, good luck to them both.
 My sister wants to try for a baby and she's booked
 herself into a clinic next week and I'm
 going to be with her every step of the way.
 
 So here we are in Paris
 in a night club after several glasses of champagne.
 Taking each day as it comes and having a good blow out.
 We have a little sister thing that we say to any guy
 that tries to chat us up.
 "Fuck off were talking"
 Now on with the story.
 
If your undies fer you've been smoking through em, don't peg em out
 
		
	 
	
	
	
		
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		Believe Me
 
 I'm a used car salesman,
 and I have a deal for you!
 Here’s a gently used Ford Pinto, great gas milage.
 You need something for accommodate all your children?
 Sure it’s safe!
 Who ever wants to see an airbag hanging from a steering wheel?
 It just looks unnatural.
 
 
 My family?
 I’m a great dad!  Believe me, I’ve fathered children
 from five women. I know exactly what I’m doing.
 
 
 In fact, I’m engaged for my fifth marriage.
 I left my kids ‘cause my fiance’s pregnant.
 My kids love me.
 
 So about that car . . .
 
Thanks to this Forum  
		
	 
	
	
	
		
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 Joined: Oct 2010
 
	
	
		Clear as Glass Slippers
 Of course, we’re the same size.
 Sisters share
 the same bone structure.
 We only look different
 because we don’t share
 parents. I don’t know why
 you would need me to put on
 that old thing. It should be clear
 I was the one with whom you danced.
 My hair didn’t smell like a chimney
 when I pressed my cheek
 against your chest. I left the shoe
 so you could remove more,
 not so you would dress me again.
 
The secret of poetry is cruelty.--Jon Anderson
 
		
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