Reply to your tasteless comment that has nothing to do with poetry...
Here in the south (us) we make wonderful grits. The key is to not make them so stiff (overcooked) and the way you eat them is rarely known---you don't chew them...you swish them around your mouth to taste them, then swallow.
I should write some poem here.
This is one I found...can't say I'm a big fan, but it is a grit poem.
(07-25-2014, 12:46 PM)bena Wrote: Reply to your tasteless comment that has nothing to do with poetry...
Here in the south (us) we make wonderful grits. The key is to not make them so stiff (overcooked) and the way you eat them is rarely known---you don't chew them...you swish them around your mouth to taste them, then swallow.
Oh! Hadn't ever known that. I'm a victim of my own ignorance and faulty
upbringing as well. My dad and I were born and raised on the gulf coast of Texas,
which isn't really "The South", and my mom hails from Massachusetts.
(The "way you eat" part sounds faintly obscene.)
But I do like stewed okra. All you have to do with those is put them in your
mouth; they do the swallowing for you.
(07-25-2014, 12:46 PM)bena Wrote: I should write some poem here.
This is one I found...can't say I'm a big fan, but it is a grit poem.
A poem about grits…just because I can
May 14, 2012 by Audrey McDonald Atkins
Grits are salty
Never sweet
Drenched in butter
Good to eat
But if you leave them in the pot
Pry them loose you will not
An Emily Dickinson (queen of the em dash) poem I love:
Nature’ is what we see—
The Hill—the Afternoon—
Squirrel—Eclipse—the Bumble bee—
Nay—Nature is Heaven—
Nature is what we hear—
The Bobolink—the Sea—
Thunder—the Cricket—
Nay—Nature is Harmony—
Nature is what we know—
Yet have no art to say—
So impotent Our Wisdom is
To her Simplicity.
a brightly colored fungus that grows in bark inclusions
Ethics without faith, excuse me,
is the butter and not the bread.
You can’t nourish them all, the dead
pile up at the hospital doors.
And even they are not so numerous
as the mothers come in maternity.
The Provider knows his faults—
love of architecture and repair—
but will not fall into them for long:
he can’t afford the adolescent luxury,
the fellowship of the future
looks greedily toward his family.
The black keys fit black cylinders
in the locks in holes in the night.
He had a skeleton key once,
a rubber arm and complete confidence.
Now, as head of the family, he is
inevitably on the wrong side looking out.
This one's very 19th century, but I do find it quite moving, especially the last two stanzas. "Leave comfort root-room" is one of my favorite lines.
Gerard Manley Hopkins - My Own Heart Let Me More Have Pity On (1885)
My own heart let me more have pity on; let
Me live to my sad self hereafter kind,
Charitable; not live this tormented mind
With this tormented mind tormenting yet.
I cast for comfort I can no more get
By groping round my comfortless, than blind
Eyes in their dark can day or thirst can find
Thirst's all-in-all in all a world of wet.
Soul, self; come, poor Jackself, I do advise
You, jaded, let be; call off thoughts awhile
Elsewhere; leave comfort root-room; let joy size
At God knows when to God knows what; whose smile
's not wrung, see you; unforseen times rather - as skies
Betweenpie mountains - lights a lovely mile.
Snow:
years of anger following
hours that float idly down —
the blizzard
drifts its weight
deeper and deeper for three days
or sixty years, eh? Then
the sun! a clutter of
yellow and blue flakes —
Hairy looking trees stand out
in long alleys
over a wild solitude.
The man turns and there —
his solitary track stretched out
upon the world.
a brightly colored fungus that grows in bark inclusions
Snow:
years of anger following
hours that float idly down —
the blizzard
drifts its weight
deeper and deeper for three days
or sixty years, eh? Then
the sun! a clutter of
yellow and blue flakes —
Hairy looking trees stand out
in long alleys
over a wild solitude.
The man turns and there —
his solitary track stretched out
upon the world.
And I thought I was the only one on the site who liked WCW
(07-31-2014, 10:27 AM)trueenigma Wrote: And I thought I was the only one on the site who liked WCW
He's my goal.
Complete Destruction - WCW
It was an icy day.
We buried the cat,
then took her box
and set fire to it
in the back yard.
Those fleas that escaped
earth and fire
died by the cold.
Daisy - WCW
The dayseye hugging the earth
in August, ha! Spring is
gone down in purple,
weeds stand high in the corn,
the rainbeaten furrow
is clotted with sorrel
and crabgrass, the
branch is black under
the heavy mass of the leaves--
The sun is upon a
slender green stem
ribbed lengthwise.
He lies on his back--
it is a woman also--
he regards his former
majesty and
round the yellow center,
split and creviced and done into
minute flowerheads, he sends out
his twenty rays-- a little
and the wind is among them
to grow cool there!
One turns the thing over
in his hand and looks
at it from the rear: brownedged,
green and pointed scales
armor his yellow.
But turn and turn,
the crisp petals remain
brief, translucent, greenfastened,
barely touching at the edges:
blades of limpid seashell.
a brightly colored fungus that grows in bark inclusions
Home is so sad. It stays as it was left,
Shaped to the comfort of the last to go
As if to win them back. Instead, bereft
Of anyone to please, it withers so,
Having no heart to put aside the theft
And turn again to what it started as,
A joyous shot at how things ought to be,
Long fallen wide. You can see how it was:
Look at the pictures and the cutlery.
The music in the piano stool. That vase.
Prose Poem by Robert Bly
--------------------------------------------------------------------------------
Warning to the Reader
Sometimes farm granaries become especially beautiful when all the oats or wheat are gone, and wind has swept the rough floor clean. Standing inside, we see around us, coming in through the cracks between shrunken wall boards, bands or strips of sunlight. So in a poem about imprisonment, one sees a little light.
But how many birds have died trapped in these granaries. The bird, seeing freedom in the light, flutters up the walls and falls back again and again. The way out is where the rats enter and leave; but the rat's hole is low to the floor. Writers, be careful then by showing the sunlight on the walls not to promise the anxious and panicky blackbirds a way out!
I say to the reader, beware. Readers who love poems of light may sit hunched in the corner with nothing in their gizzards for four days, light failing, the eyes glazed . . .
They may end as a mound of feathers and a skull on the open boardwood floor . .
At times ... I wish
I could meet in a duel
the man who killed my father
and razed our home,
expelling me
into
a narrow country.
And if he killed me,
I'd rest at last,
and if I were ready—
I would take my revenge!
*
But if it came to light,
when my rival appeared,
that he had a mother
waiting for him,
or a father who'd put
his right hand over
the heart's place in his chest
whenever his son was late
even by just a quarter-hour
for a meeting they'd set—
then I would not kill him,
even if I could.
*
Likewise ... I
would not murder him
if it were soon made clear
that he had a brother or sisters
who loved him and constantly longed to see him.
Or if he had a wife to greet him
and children who
couldn't bear his absence
and whom his gifts would thrill.
Or if he had
friends or companions,
neighbours he knew
or allies from prison
or a hospital room,
or classmates from his school ...
asking about him
and sending him regards.
*
But if he turned
out to be on his own—
cut off like a branch from a tree—
without a mother or father,
with neither a brother nor sister,
wifeless, without a child,
and without kin or neighbours or friends,
colleagues or companions,
then I'd add not a thing to his pain
within that aloneness—
not the torment of death,
and not the sorrow of passing away.
Instead I'd be content
to ignore him when I passed him by
on the street—as I
convinced myself
that paying him no attention
in itself was a kind of revenge.
Nazareth
April 15, 2006
translated by Peter Cole, Yahya Hijazi and Gabriel Levin
21 December 2006
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
A straight rain is rare and doors have suspicions
and I hold that names begin histories
and that the last century was a cruel one. I am pretending
to be a truck in Mexico. I am a woman with a long neck and a good burden
and I waddle efficiently. Activity never sleeps and no tale of crumbling cliffs
can be a short one. I have to shift weight favorably. Happiness
can’t be settled. I brush my left knee twice, my right once,
my left twice again and in that way advance. The alphabet
and the cello can represent horses but I can only pretend
to be a dog slurping pudding. After the 55 minutes it takes to finish
my legs tremble. All is forgiven. Yesterday is going the way of tomorrow
indirectly and the heat of the sun is inadequate at this depth. I see
the moon. The verbs ought and can lack infinity and somewhere
between 1957 when the heat of the dry sun naughtily struck me
and now when my secrets combine in the new order of cold rains
and night winds a lot has happened. Long phrases
are made up of short phrases that bear everything “in vain” or “all
in fun” “for your sake” and “step by step” precisely. I too can spring.
- Lyn Hejinian
a brightly colored fungus that grows in bark inclusions
As simply as a self-effacing bar of soap
escaping by indiscernible degrees in the wash water
is how a man may change
and still hour by hour continue in his job.
There in the mirror he appears to be on fire
but here at the office he is dust.
So long as there remains a little moisture in the stains,
he stands easily on the pavement
and moves fluidly through the corridors. If only one
cloud can be seen, it is enough to know of others,
and life stands on the brink. It rains
or it doesn’t, or it rains and it rains again.
But let it go on raining for forty days and nights
or let the sun bake the ground for as long,
and it isn’t life, just life, anymore, it’s living.
In the meantime, in the regular weather of ordinary days,
it sometimes happens that a man has changed
so slowly that he slips away
before anyone notices
and lives and dies before anyone can find out.
Thanks to everyone who posted on this page. If Bly hadn't warned me I might stay for four days and end up a mound of feathers.
Great choices.
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
Out walking in the frozen swamp one gray day,
I paused and said, 'I will turn back from here.
No, I will go on farther—and we shall see.'
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year's snow looped near it.
And it was older sure than this year's cutting,
Or even last year's or the year's before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.
Quote:A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
I don't know how he missed the cabin that used to be there.
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
A Red Tricycle in the Belly of the Pool
- Karyna McGlynn
the live oak over the nursery got a disease
they could only save one limb
it wasn’t surprising; it wasn’t that kind of nursery
a girl rode her red tricycle around the bottom of the pool
the pool had no water; it hadn’t rained
the girl kept smelling her hand
it smelled like honeywheat, or the inside of a girl’s panties
someone said, race you
she nodded okay and pedaled like hell
after three laps no one had passed her
she looked over her shoulder, lost her balance
ripped her hands & knees on the blue concrete
the one limb on the live oak curved like a question
would she need stitches again
there was already ink under her skin & iodine on her tongue
or was it the other way around
she could see black thread bunching
sewing centipedes under her skin
her throat burned and she couldn’t move her legs
it wasn’t a tricycle
it was something she couldn’t get her foot out from under
she hated to stop or lose her shoe and, I’m sorry
the pool was full of water
I tie my Hat—I crease my Shawl
- Emily Dickinson
I tie my Hat—I crease my Shawl—
Life's little duties do—precisely—
As the very least
Were infinite—to me—
I put new Blossoms in the Glass—
And throw the old—away—
I push a petal from my Gown
That anchored there—I weigh
The time-twill be till six o'clock
I have so much to do—
And yet—Existence—some way back—
Stopped—struck—my ticking—through—
We cannot put Ourself away
As a completed Man
Or Woman—When the Errand's done
We came to Flesh—upon—
There may be—Miles on Miles of Nought—
Of Action—sicker far—
To simulate—is stinging work—
To cover what we are
From Science—and from Surgery—
Too Telescopic Eyes
To beat on us unshaded—
For their—sake—not for Ours—
'Twould start them—
We—could tremble—
But since we got a Bomb—
And held it in our Bosom—
Nay—Hold it—it is calm—
Therefore—we do life's labor—
Though life's Reward—be done—
With scrupulous exactness—
To hold our Senses—on—
a brightly colored fungus that grows in bark inclusions
