Today, 04:17 AM
(Today, 02:06 AM)lucienne24 Wrote: CONTENT WARNING for suicide & griefLove that we are playing with white space even if sometimes I find it distracting. In the second line for instance it's effective at conjuring a sense of anxiety or hesitancy.
Borrow
After Cam died time never seemed to know what to do
with its hands it started tearing out the hours too cautiously
along their perforated edges it doodled me into
the margins of his past with you
I fall asleep wearing your spare heart instinctively overstep
the rotting planks on the back porch
in your recurrent dream
He is alive in the driver’s seat like he always used to be
red knit of your lungs unraveling inside my chest
match his curls lit up by brake lights
Folded in upon yourself in the cold kitchen I can't help stealing
drinks from the cracked-lip chardonnay bottle he gave you trying
to discern the tasting notes of your grief
I'm sorry unbearable tear down your cheek as you watch
fingers peel my skin away
our wounds approaching congruence
He shoots himself and you’re always 5000 miles
away He shoots himself in the head and I’m always in the shower
slouched against the stained fiberglass of your longing
Once from afar I shared his hopelessness
but you shared his life up close
The wind drags a crumpled leaf like his limp hand down the pavement forever
The semicircles on the bathroom tile will never meet to make a whole moon
Tomorrow I’ll hold you while you’re shaking
I’ll quit drinking I won’t bleed
Some of this language reads too poemy and pulls me out of the dream, like "the margins of his past" which is so lofty after "doodled" (great verb). Or like "instinctively overstep" is a bit of a prosaic mouthful.
When the speaker goes directly to the heart of the trouble the verse is most impactful: "He is alive in the driver's seat" (though, do we need the explanatory "like always"?)
I suggest cutting the entire Chardonnay bottle stanza, it's so maudlin and weepy in a distasteful way. "Discern" is an ugly verb. 'The tasting notes of your grief" is not a good metaphor. This action all feels forced and melodramatic. "our wounds approaching congruence"? Eeeesh. Take it back down like 6 levels. Speaker is way too ornate.
The rough and unapologetic "He shoots himself" stuff is so much more compelling. Really hits me in the heart. This was hard to read

Find a less archaic phrase than "from afar"
Just ditch the poemy stuff and let the natural voice come through more often. When it does, you are cooking

