On Counting With Your Toes
#1
On Counting With Your Toes

Quentin Tarantino is a famous ghoul for feet. He cast Uma Thurman
just to have her get those piggies wiggling. When he sleeps, it is of pink
arches and pummeled soles, their velvet leather supple under the tongue,
that Quentin dreams. This of course is common lore, the stale kind
good old boys can still take home in plastic bags like festival corn, in which
we’re all complicit—we love that we can watch Pulp Fiction or Kill Bill,
see the grumpy Negro bug his eyes out and deliver lines like And you will know
that I am the Lord! which is funny because, yes, everyone does know and what they know
is God is dead and white. This is what I’d planned to tell you on the date
we didn’t have the night you died. Your scalp flew through the air, came down
soft like snow drops on parked cars. Even Sonny Chiba couldn’t laugh.
At the morgue, the corpse face painter doesn’t look a lick like Pam Grier, but does seem 
to have her thighs, I think to my most turgid self, feeling naughty in the shadow of grief, as is
my established habit. Wiggle your toes if you can hear me up there, would you
love? Today it makes a little cold precipitation and I catch the first flake on my tongue,
which hardly even bleeds. I guess that really was a Hattori Hanzo sword.

I have no idea what I am doing here.
`
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#2
Hi, matsuno, the title made me think of babies, so either purposely misleading or just me or maybe a change there. I've got a few notes on this.

(06-19-2026, 03:36 PM)matsunosuperfan Wrote:  On Counting With Your Toes

Quentin Tarantino is a famous ghoul for feet. He cast Uma Thurman
just to have her get those piggies wiggling. When he sleeps, it is of pink
arches and pummeled soles, their velvet leather supple under the tongue,
that Quentin dreams. This of course is common lore, the stale kind
good old boys can still take home in plastic bags like festival corn, in which
This is working for me, strong imagery, pink/pummeled, velvet vs leather. I like the switch to dull language describing the audience. You might lose "plastic" and break on "corn".

we’re all complicit—we love that we can watch Pulp Fiction or Kill Bill,
see the grumpy Negro bug his eyes out and deliver lines like And you will know
that I am the Lord! which is funny because, yes, everyone does know and what they know
is God is dead and white. This is what I’d planned to tell you on the date
we didn’t have the night you died. Your scalp flew through the air, came down
soft like snow drops on parked cars. Even Sonny Chiba couldn’t laugh.
A nice switch back to delicate imagery and language. The space taken by what is to me film babble works to draw attention to the heart of the poem, gives a distraction. "Drops" is a bit of a stumble for me.

At the morgue, the corpse face painter doesn’t look a lick like Pam Grier, but does seem 
to have her thighs, I think to my most turgid self, feeling naughty in the shadow of grief, as is
my established habit. Wiggle your toes if you can hear me up there, would you
love? Today it makes a little cold precipitation and I catch the first flake on my tongue,
which hardly even bleeds. I guess that really was a Hattori Hanzo sword.
A break on "shadow" might be nice. There's the toes, and the poem, the odd in the moment connections that come through the numbness of tragedy and/or grief. I like "love" dropped down. On "Today it makes" I'm not sure what the "it" is. "Hardly even bleed" seems off to me, the flake wouldn't make it bleed and the sword surely would, leaves me confused.

I have no idea what I am doing here.
`

I like it, it almost lands.
I have no idea what I am doing here, I never watch those films more than once and have successfully wiped all images except the bug-eyed from my mind. Hopefully someday I will need that bit of brain for where I left my keys and let go of that one too.
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