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		A nice little poem amidst the rampant nationalism of the Olympics from my favourite book of poetry, Mexico City Blues by Jack Kerouac:
 51st Chorus
 
 America is a permissible dream,
 Providing you remember ants
 Have Americas and Russians
 Like the Possessed have Americas
 And little Americas are had
 By baby mules in misty fields
 And it is named after Americus
 Vespucci of Sunny Italy,
 And nobody cares how you hang
 Your spaghetti wash
 On the Pasta Rooftops
 Of Oh Yawn Opium
 Fellaheen Espagna
 Olvierto Milano
 Afternoon, when men
 gamble & ramble & fuck
 and women watch the wash
 with one eye on the grocer boy
 and one eye on the loon
 and one eye
 in the universe
 is Tathagata’s
 
		
	 
	
	
	
		
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		My personal favorite is Frost's "The Road Not Taken". It carries some deep meaning for me, and it flows so silky when read allowed.
	 
*Warning: blatant tomfoolery above this line
 
		
	 
	
	
	
		
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		Under Fair Use for educational purposes:
 Workshop
 
 "Where have you been," says my old friend the poet,
 "and what have you been doing?" The question
 weighs and measures me like an unpaid bill,
 hangs in the air, waiting for some remittance.
 
 Well, I've been coring apples, layering them
 in raisins and brown sugar; I've been finding
 what's always lost, mending and brushing,
 pruning houseplants, remembering birthdays.
 
 The wisdom of others thunders past me
 like sonic booming; what I know of the world
 fits easily in the palm of one hand
 and lies quietly there, like a child's cheek.
 
 Spoon-fed to me each evening, history
 puts on my children's faces, because they
 are the one alphabet all of me reads.
 I've been setting the table for the dead,
 
 rehearsing the absence of the living,
 seasoning age with names for the unborn.
 I've been putting a life together, like
 supper, like a poem, with what I have.
 
 Rhina P. Espaillat
 
		
	 
	
	
	
		
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		I love me this one...yum, yum, yummy!
 The Ninth Elegy
 
 Rainer Maria Rilke
 
 Why, if this interval of being can be spent serenely
 in the form of a laurel, slightly darker than all
 other green, with tiny waves on the edges
 of every leaf (like the smile of a breeze)–: why then
 have to be human–and, escaping from fate,
 keep longing for fate? . . .
 
 Oh not because happiness exists,
 that too-hasty profit snatched from approaching loss.
 Not out of curiosity, not as practice for the heart, which
 would exist in the laurel too. . . . .
 
 But because truly being here is so much; because everything here
 apparently needs us, this fleeting world, which in some strange way
 keeps calling to us. Us, the most fleeting of all.
 Once for each thing. Just once; no more. And we too,
 just once. And never again. But to have been
 this once, completely, even if only once:
 to have been one with the earth, seems beyond undoing.
 
 And so we keep pressing on, trying to achieve it,
 trying to hold it firmly in our simple hands,
 in our overcrowded gaze, in our speechless heart.
 Trying to become it.–Whom can we give it to? We would
 hold on to it all, forever . . . Ah, but what can we take along
 into that other realm? Not the art of looking,
 which is learned so slowly, and nothing that happened here. Nothing.
 The sufferings, then. And above all, the heaviness,
 and the long experience of love,– just what is wholly
 unsayable. But later, among the stars,
 what good is it–they are better as they are: unsayable.
 For when the traveler returns from the mountain-slopes into the valley,
 he bings, not a handful of earth, unsayable to others, but instead
 some word he has gained, some pure word, the yellow and blue
 gentian. Perhaps we are here in order to say: house,
 bridge, fountain, gate, pitcher, fruit-tree, window–
 at most: column, tower. . . . But to say them, you must understand,
 oh to say them more intensely than the Things themselves
 ever dreamed of existing. Isn’t the secret intent
 of this taciturn earth, when it forces lovers together,
 that inside their boundless emotion all things may shudder with joy?
 Threshold: what it means for two lovers
 to be wearing down, imperceptibly, the ancient threshold of their door–
 they too, after the many who came before them
 and before those to come. . . . ., lightly.
 
 Here is the time for the sayable, here is its homeland.
 Speak and bear witness. More than ever
 the Things that we might experience are vanishing, for
 what crowds them out and replaces them is an imageless act.
 An act under a shell, which easily cracks open as soon as
 the business inside outgrows it and seeks new limits.
 Between the hammers our heart
 endures, just as the tongue does
 between the teeth and, despite that,
 still is able to praise.
 
 Praise this world to the angel, not the unsayable one,
 you can’t impress him with glorious emotion; in the universe
 where he feels more powerfully, you are a novice. So show him
 something simple which, formed over generations,
 lives as our own, near our hand and within our gaze.
 Tell him of Things. He will stand astonished; as you stood
 by the ropemaker in Rome or the potter along the Nile.
 Show him how happy a Thing can be, how innocent and ours,
 how even lamenting grief purely decides to take form,
 serves as a Thing, or dies into a Thing–, and blissfully
 escapes far beyond the violin.–And these Things,
 which live by perishing, know you are praising them; transient,
 they look to us for deliverance: us, the most transient of all.
 They want us to change them, utterly, in our invisible heart,
 within–oh endlessly–within us! Whoever we may be at last.
 
 Earth, isn’t this what you want: to arise within us,
 invisible? Isn’t it your dream
 to be wholly invisible someday?–O Earth: invisible!
 What, if not transformation, is your urgent command?
 Earth, my dearest, I will. Oh believe me, you no longer
 need your springtimes to win me over–one of them,
 ah, even one, is already too much for my blood.
 Unspeakably I have belonged to you, from the first.
 You were always right, and your holiest inspiration
 is our intimate companion, Death.
 
 Look, I am living. On what? Neither childhood nor future
 grows any smaller . . . . . Superabundant being
 wells up in my heart.
 
You can't hate me more than I hate myself.  I win.
"When the spirit of justice eloped on the wingsOf a quivering vibrato's bittersweet sting."
 
 
   
		
	 
	
	
	
		
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		 (03-05-2014, 06:32 PM)NobodyNothing Wrote:  I love me this one...yum, yum, yummy!A nice selection. I have a favorite quote by Rilke that I may use to preface a poem in the works:
 The Ninth Elegy
 
 Rainer Maria Rilke
 
 Why, if this interval of being can be spent serenely
 in the form of a laurel, slightly darker than all
 other green, with tiny waves on the edges
 of every leaf (like the smile of a breeze)–: why then
 have to be human–and, escaping from fate,
 keep longing for fate? . . .
 
 Oh not because happiness exists,
 that too-hasty profit snatched from approaching loss.
 Not out of curiosity, not as practice for the heart, which
 would exist in the laurel too. . . . .
 
 But because truly being here is so much; because everything here
 apparently needs us, this fleeting world, which in some strange way
 keeps calling to us. Us, the most fleeting of all.
 Once for each thing. Just once; no more. And we too,
 just once. And never again. But to have been
 this once, completely, even if only once:
 to have been one with the earth, seems beyond undoing.
 
 And so we keep pressing on, trying to achieve it,
 trying to hold it firmly in our simple hands,
 in our overcrowded gaze, in our speechless heart.
 Trying to become it.–Whom can we give it to? We would
 hold on to it all, forever . . . Ah, but what can we take along
 into that other realm? Not the art of looking,
 which is learned so slowly, and nothing that happened here. Nothing.
 The sufferings, then. And above all, the heaviness,
 and the long experience of love,– just what is wholly
 unsayable. But later, among the stars,
 what good is it–they are better as they are: unsayable.
 For when the traveler returns from the mountain-slopes into the valley,
 he bings, not a handful of earth, unsayable to others, but instead
 some word he has gained, some pure word, the yellow and blue
 gentian. Perhaps we are here in order to say: house,
 bridge, fountain, gate, pitcher, fruit-tree, window–
 at most: column, tower. . . . But to say them, you must understand,
 oh to say them more intensely than the Things themselves
 ever dreamed of existing. Isn’t the secret intent
 of this taciturn earth, when it forces lovers together,
 that inside their boundless emotion all things may shudder with joy?
 Threshold: what it means for two lovers
 to be wearing down, imperceptibly, the ancient threshold of their door–
 they too, after the many who came before them
 and before those to come. . . . ., lightly.
 
 Here is the time for the sayable, here is its homeland.
 Speak and bear witness. More than ever
 the Things that we might experience are vanishing, for
 what crowds them out and replaces them is an imageless act.
 An act under a shell, which easily cracks open as soon as
 the business inside outgrows it and seeks new limits.
 Between the hammers our heart
 endures, just as the tongue does
 between the teeth and, despite that,
 still is able to praise.
 
 Praise this world to the angel, not the unsayable one,
 you can’t impress him with glorious emotion; in the universe
 where he feels more powerfully, you are a novice. So show him
 something simple which, formed over generations,
 lives as our own, near our hand and within our gaze.
 Tell him of Things. He will stand astonished; as you stood
 by the ropemaker in Rome or the potter along the Nile.
 Show him how happy a Thing can be, how innocent and ours,
 how even lamenting grief purely decides to take form,
 serves as a Thing, or dies into a Thing–, and blissfully
 escapes far beyond the violin.–And these Things,
 which live by perishing, know you are praising them; transient,
 they look to us for deliverance: us, the most transient of all.
 They want us to change them, utterly, in our invisible heart,
 within–oh endlessly–within us! Whoever we may be at last.
 
 Earth, isn’t this what you want: to arise within us,
 invisible? Isn’t it your dream
 to be wholly invisible someday?–O Earth: invisible!
 What, if not transformation, is your urgent command?
 Earth, my dearest, I will. Oh believe me, you no longer
 need your springtimes to win me over–one of them,
 ah, even one, is already too much for my blood.
 Unspeakably I have belonged to you, from the first.
 You were always right, and your holiest inspiration
 is our intimate companion, Death.
 
 Look, I am living. On what? Neither childhood nor future
 grows any smaller . . . . . Superabundant being
 wells up in my heart.
 
 “If we surrendered to earth's intelligence
 we could rise up rooted, like trees. ”
 ― Rainer Maria Rilke
 
 Welcome to the site!/Chris
 
My new watercolor: 'Nightmare After Christmas'/Chris
 
		
	 
	
	
	
		
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		Hi.  I'm glad that one speaks to you as well.  I also like the quote you mentioned.  
 What I was personally drawn to in Rilke was the mesmeric quality of his poetic voice, which is amazing considering that I read him in translation.  I found the Stephen Mitchell translations to be the best in this regard so far.  Maybe there have been even better ones since.  I don't know.
 
 What I adore about the Ninth Elegy is his attempt to give poetic credence/legitimacy to what might be called the transcendent.  In this age we live in, I find it almost impossible to do so, perhaps because I have so taken to heart and mind all that we have come to learn of this existence of ours.  To put it starkly, modern scientific knowledge/discoveries, if really taken to heart and mind, have posed incredible challenges/restrictions to the modern imagination in this regard, at least an imagination to be taken seriously.
 
 Anyway...best to you.
 
You can't hate me more than I hate myself.  I win.
"When the spirit of justice eloped on the wingsOf a quivering vibrato's bittersweet sting."
 
 
   
		
	 
	
	
	
		
	Posts: 1,548Threads: 942
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		[youtube]q90JPFgMS7E[/youtube] 
  (02-12-2014, 06:05 AM)newsclippings Wrote:  Everyone starts somewhere:
 
 ![[Image: 4566999408_a4ee43a9ed.jpg]](http://farm5.staticflickr.com/4050/4566999408_a4ee43a9ed.jpg) 
Awh... That one's really quite sweet. And the drawing too  
"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges." - Gene Wolfe
 
		
	 
	
	
	
		
	Posts: 1,325Threads: 82
 Joined: Sep 2013
 
	
	
		ssshhhhh.    
For Owen By Stephen King
 
Walking to school you ask me 
what other schools have grades.
 
I get as far as Fruit Street and your eyes go away.
 
As we walk under these yellow trees 
you have your army lunch box under one arm and your 
short legs, dressed in combat fatigues, 
make your shadow into a scissors 
that cuts nothing on the sidewalk.
 
You tell me suddenly that all the students there are fruits.
 
Everyone picks on the blueberries because they are so small. 
The bananas, you say, are patrol boys. 
In your eyes I see homerooms of oranges, 
assemblies of apples.
 
All, you say, have arms and legs
 
and the watermelons are often tardy. 
They waddle, and they are fat. 
"Like me," you say.
 
I could tell you things but better not.
 
That watermelon children cannot tie their own shoes; 
the plums do it for them. 
Or how I steal your face -- 
steal it, steal it, and wear it for my own. 
 
It wears out fast on my face.
 
It's the stretching that does it.
 
I could tell you that dying's an art 
and I am learning fast. 
In that school I think you have already 
picked up your own pencil 
and begun to write your name.
 
Between now and then I suppose we could 
someday play you truant and drive over to Fruit Street 
and I could park in a rain of these October leaves 
and we could watch a banana escort the last tardy watermelon 
through those tall doors.
	
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
 
		
	 
	
	
	
		
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		Daily ExpressI've seen the poison letters of the horrible hacks
 About the yellow peril and the reds and the blacks
 And the TUC and its treacherous acts
 Kremlin money - All right Jack
 I've seen how democracy is under duress
 But I've never seen a nipple in the Daily Express
 
 I've seen the suede jack boot the verbal cosh
 Whitehouse Whitelaw whitewash
 Blood uptown where the vandals rule
 Classroom mafia scandal school
 They accuse - I confess
 I've never seen a nipple in the Daily Express
 
 Angry columns scream in pain
 Love in vain domestic strain
 Divorce disease it eats away
 The family structure day by day
 In the grim pursuit of happiness
 I've never seen a nipple in the Daily Express
 
 This paper's boring mindless mean
 Full of pornography the kind that's clean
 Where William Hickey meets Michael Caine
 Again and again and again and again
 I've seen millionaires on the DHSS
 But I've never seen a nipple in the Daily Express
 
 John Cooper Clark
 
 
 somewhere i have never traveled, gladly beyond
 any experience, your eyes have their silence:
 in your most frail gesture are things which enclose me,
 or which i cannot touch because they are too near
 
 your slightest look easily will unclose me
 though i have closed myself as fingers,
 you open always petal by petal myself as Spring opens
 (touching skilfully, mysteriously) her first rose
 
 or if your wish be to close me, i and
 my life will shut very beautifully, suddenly,
 as when the heart of this flower imagines
 the snow carefully everywhere descending;
 
 nothing which we are to perceive in this world equals
 the power of your intense fragility: whose texture
 compels me with the colour of its countries,
 rendering death and forever with each breathing
 
 (i do not know what it is about you that closes
 and opens;only something in me understands
 the voice of your eyes is deeper than all roses)
 nobody, not even the rain, has such small hands
 
 e.e.cummings
 
		
	 
	
	
	
		
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		from Something Happened by Andy Falkous
 ...and it's the same thing
 over and over and over and over,
 the classic tale of love:
 boy meets girl,
 ignores girl,
 kills girl in tragic accident,
 is haunted by girl
 in woodland vista nightmares;
 or perhaps, it's just the blood talking.
 
		
	 
	
	
	
		
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		 (03-07-2014, 04:28 AM)jeremyyoung Wrote:  Daily ExpressI've seen the poison letters of the horrible hacks
 About the yellow peril and the reds and the blacks
 And the TUC and its treacherous acts
 Kremlin money - All right Jack
 I've seen how democracy is under duress
 But I've never seen a nipple in the Daily Express
 
 I've seen the suede jack boot the verbal cosh
 Whitehouse Whitelaw whitewash
 Blood uptown where the vandals rule
 Classroom mafia scandal school
 They accuse - I confess
 I've never seen a nipple in the Daily Express
 
 Angry columns scream in pain
 Love in vain domestic strain
 Divorce disease it eats away
 The family structure day by day
 In the grim pursuit of happiness
 I've never seen a nipple in the Daily Express
 
 This paper's boring mindless mean
 Full of pornography the kind that's clean
 Where William Hickey meets Michael Caine
 Again and again and again and again
 I've seen millionaires on the DHSS
 But I've never seen a nipple in the Daily Express
 
 John Cooper Clark
 
 
 somewhere i have never traveled, gladly beyond
 any experience, your eyes have their silence:
 in your most frail gesture are things which enclose me,
 or which i cannot touch because they are too near
 
 your slightest look easily will unclose me
 though i have closed myself as fingers,
 you open always petal by petal myself as Spring opens
 (touching skilfully, mysteriously) her first rose
 
 or if your wish be to close me, i and
 my life will shut very beautifully, suddenly,
 as when the heart of this flower imagines
 the snow carefully everywhere descending;
 
 nothing which we are to perceive in this world equals
 the power of your intense fragility: whose texture
 compels me with the colour of its countries,
 rendering death and forever with each breathing
 
 (i do not know what it is about you that closes
 and opens;only something in me understands
 the voice of your eyes is deeper than all roses)
 nobody, not even the rain, has such small hands
 
 e.e.cummings
 
Ooh...I like that cummings poem.  Nice choice.  What a delicate beauty of a poem.  Thanks for bringing to my attention.
	 
You can't hate me more than I hate myself.  I win.
"When the spirit of justice eloped on the wingsOf a quivering vibrato's bittersweet sting."
 
 
   
		
	 
	
	
		errr do we have to post them?
 and death shall have no dominion -thomas
 the road not taken -frost
 the raven -poe
 jabberwocky -dodgson/carrol
 charge of the light brigade -tennyson
 
 that's my top five and probably in that order...cummings would be next and after that hard to say.
 
		
	 
	
	
	
		
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		Traveling through the DarkBy William E. Stafford
 
 
 Traveling through the dark I found a deer
 
 dead on the edge of the Wilson River road.
 
 It is usually best to roll them into the canyon:
 
 that road is narrow; to swerve might make more dead.
 
 
 By glow of the tail-light I stumbled back of the car
 
 and stood by the heap, a doe, a recent killing;
 
 she had stiffened already, almost cold.
 
 I dragged her off; she was large in the belly.
 
 
 My fingers touching her side brought me the reason—
 
 her side was warm; her fawn lay there waiting,
 
 alive, still, never to be born.
 
 Beside that mountain road I hesitated.
 
 
 The car aimed ahead its lowered parking lights;
 
 under the hood purred the steady engine.
 
 I stood in the glare of the warm exhaust turning red;
 
 around our group I could hear the wilderness listen.
 
 
 I thought hard for us all—my only swerving—,
 
 then pushed her over the edge into the river.
 
		
	 
	
	
	
		
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		a poem by michael mcneilly:
 
 the you the water remembers
 -----------------------------------
 
 we took the bumper jack with us into the lake
 to anchor our swimsuits
 and swam skin to skin
 until the day reddened past noon
 and when I pretended I couldn't find
 our underwater locker
 you stood and walked right up onto the beach
 less red than I
 
 the water closed behind you like
 the fog that rolls in over Alcatraz
 and my pride cost me
 a bumper jack and some swimsuits that day
 but I walked out too
 tried to shrug off the water and the sun
 with an assurance akin to your own
 and we dressed in the sand
 it's the one thing I remember best about you
 
 20 years since
 and I haven't a single picture except
 this one to recall
 the you the sun bathed in splendor
 the you the water
 remembers
 
 
 
 
 
                                                                                                                           a brightly colored fungus that grows in bark inclusions 
 
		
	 
	
	
	
		
	Posts: 1,325Threads: 82
 Joined: Sep 2013
 
	
	
		Two great ones. Thanks for posting them, JG and ray, I think they'll both stick with me.
	 
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
 
		
	 
	
	
	
		
	Posts: 845Threads: 57
 Joined: Aug 2013
 
	
	
		Nice gesture and wonderful poem that you posted from your friend who passed away recently ray. My sympathies are with you and I am grateful for the post.
	 
My new watercolor: 'Nightmare After Christmas'/Chris
 
		
	 
	
	
	
		
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		My Sister Laura
 My sister Laura's bigger than me
 And lifts me up quite easily.
 I can't lift her, I've tried and tried;
 She must have something heavy inside.
 
 Spike Milligan
 
		
	 
	
	
	
		
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 Joined: Dec 2016
 
	
	
		Hart Seely created a ready-made from U. S. secretary of defense Donald Rumsfield's news briefing 02/12/2002
 As we know,
 There are known knowns.
 There are things we know we know.
 
 We also know
 There are known unknowns.
 That is to say
 We know there are some things
 We do not know.
 
 But there are also unknown unknowns,
 The ones we don't know
 We don't know.
 
 
 
 Another ready-made taken from the NY times crossword puzzle assembled by Peter Valentine
 
 vacation
 
 [across]
 there is a car
 and in that car there is
 [down]
 a person and a person and a person
 and
 
 far in the distance
 
 the
 [answers]
 timeshare
 
		
	 
	
	
	
		
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 Joined: Mar 2013
 
	
	
		Quote:As we know,There are known knowns.
 There are things we know we know.
 
 We also know
 There are known unknowns.
 That is to say
 We know there are some things
 We do not know.
 
 But there are also unknown unknowns,
 The ones we don't know
 We don't know.
  
So typical. One giant abstraction   
		
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