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		A Song on the End of the WorldBY CZESLAW MILOSZ
 TRANSLATED BY ANTHONY MILOSZ
 
 On the day the world ends
 A bee circles a clover,
 A fisherman mends a glimmering net.
 Happy porpoises jump in the sea,
 By the rainspout young sparrows are playing
 And the snake is gold-skinned as it should always be.
 
 On the day the world ends
 Women walk through the fields under their umbrellas,
 A drunkard grows sleepy at the edge of a lawn,
 Vegetable peddlers shout in the street
 And a yellow-sailed boat comes nearer the island,
 The voice of a violin lasts in the air
 And leads into a starry night.
 
 And those who expected lightning and thunder
 Are disappointed.
 And those who expected signs and archangels’ trumps
 Do not believe it is happening now.
 As long as the sun and the moon are above,
 As long as the bumblebee visits a rose,
 As long as rosy infants are born
 No one believes it is happening now.
 
 Only a white-haired old man, who would be a prophet
 Yet is not a prophet, for he’s much too busy,
 Repeats while he binds his tomatoes:
 There will be no other end of the world,
 There will be no other end of the world.
 
 Warsaw, 1944
 
		
	 
	
	
	
		
	Posts: 1,139Threads: 466
 Joined: Nov 2013
 
	
	
		ps i might be posting a lot of stuff already posted in other threads throughout the site -- not that i don't have anything new, it's just that i'd love to discuss some pieces in a somewhat different context -- but if y'all want to talk about pieces you've read that you just wanna share with everyone, and in a slightly different context from this thread, pms welcome.
	 
		
	 
	
	
	
		
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		"y'all" ! You sound like the folks from here. I say that too sometimes, but not nearly as much as the ones born and raised here in South Carolina. I do love this area. What state are you in?
 By the way, I really like the style of that last poem. Very clear and full of great images. Thanks for sharing.
 
		
	 
	
	
	
		
	Posts: 1,139Threads: 466
 Joined: Nov 2013
 
	
	
		YW.
 Ooh, I'm not American. I just like using y'all when typing (or speaking) because it's easier (and sounds better). Although maybe my very brief time in Texas had something to do with it, too...
 
		
	 
	
	
	
		
	Posts: 709Threads: 74
 Joined: Mar 2017
 
	
	
		Klein is one of my favorite poets of all time.
 Heirloom
 by A. M. Klein
 
 My father bequeathed me no wide estates;
 No keys and ledgers were my heritage;
 Only some holy books with yahrzeit dates
 Writ mournfully upon a blank front page —
 
 Books of the Baal Shem Tov, and of his wonders;
 Pamphlets upon the devil and his crew;
 Prayers against road demons, witches, thunders;
 And sundry other tomes for a good Jew.
 
 Beautiful: though no pictures on them, save
 The scorpion crawling on a printed track;
 The Virgin floating on a scriptural wave,
 Square letters twinkling in the Zodiac.
 
 The snuff left on this page, now brown and old,
 The tallow stains of midnight liturgy —
 These are my coat of arms, and these unfold
 My noble lineage, my proud ancestry!
 
 And my tears, too, have stained this heirloomed ground,
 When reading in these treatises some weird
 Miracle, I turned a leaf and found
 A white hair fallen from my father’s beard.
 
Time is the best editor.
 
		
	 
	
	
	
		
	Posts: 2,360Threads: 230
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		Good Bones
 Life is short, though I keep this from my children.
 Life is short, and I’ve shortened mine
 in a thousand delicious, ill-advised ways,
 a thousand deliciously ill-advised ways
 I’ll keep from my children. The world is at least
 fifty percent terrible, and that’s a conservative
 estimate, though I keep this from my children.
 For every bird there is a stone thrown at a bird.
 For every loved child, a child broken, bagged,
 sunk in a lake. Life is short and the world
 is at least half terrible, and for every kind
 stranger, there is one who would break you,
 though I keep this from my children. I am trying
 to sell them the world. Any decent realtor,
 walking you through a real shithole, chirps on
 about good bones: This place could be beautiful,
 right? You could make this place beautiful.
 
 BY Maggie Smith
 
The secret of poetry is cruelty.--Jon Anderson
 
		
	 
	
	
	
		
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 Joined: Nov 2015
 
	
	
		 (09-11-2018, 03:43 AM)Todd Wrote:  Good Bones
 Life is short, though I keep this from my children.
 Life is short, and I’ve shortened mine
 in a thousand delicious, ill-advised ways,
 a thousand deliciously ill-advised ways
 I’ll keep from my children. The world is at least
 fifty percent terrible, and that’s a conservative
 estimate, though I keep this from my children.
 For every bird there is a stone thrown at a bird.
 For every loved child, a child broken, bagged,
 sunk in a lake. Life is short and the world
 is at least half terrible, and for every kind
 stranger, there is one who would break you,
 though I keep this from my children. I am trying
 to sell them the world. Any decent realtor,
 walking you through a real shithole, chirps on
 about good bones: This place could be beautiful,
 right? You could make this place beautiful.
 
 BY Maggie Smith
 
Terrible, terrible - the world is not beautiful.  But perhaps only half of it...
	 
 Non-practicing atheist 
		
	 
	
	
	
		
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 Joined: Dec 2017
 
	
	
		 (09-11-2018, 03:43 AM)Todd Wrote:  sunk in a lake. 
Wow! 
She’s put up a fair bit of her poetry online 
Thanks for the discovery
	 
		
	 
	
	
	
		
	Posts: 2,360Threads: 230
 Joined: Oct 2010
 
	
	
		 (09-19-2018, 07:09 AM)Busker Wrote:   (09-11-2018, 03:43 AM)Todd Wrote:  sunk in a lake.Wow! She’s put up a fair bit of her poetry online
 Thanks for the discovery
 
Glad, you like her!
	 
The secret of poetry is cruelty.--Jon Anderson
 
		
	 
	
	
	
		
	Posts: 67Threads: 0
 Joined: Jan 2015
 
	
	
		Skeins o Geese
 Skeins o geese write a word
 across the sky. A word
 struck lik a gong
 afore I wis born.
 The sky moves like cattle, lowin.
 
 I’m as empty as stane, as fields
 ploo’d but not sown, naked
 an blin as a stane. Blin
 tae the word, blin
 tae a’ soon but geese ca’ing.
 
 Wire twists lik archaic script
 roon a gate. The barbs
 sign tae the wind as though
 it was deef. The word whistles
 ower high for ma senses. Awa.
 
 No lik the past which lies
 strewn aroun. Nor sudden death.
 No like a lover we’ll ken
 an connect wi forever.
 The hem of its goin drags across the sky.
 
 Whit dae birds write on the dusk?
 A word niver spoken or read.
 The skeins turn hame,
 on the wind’s dumb moan, a soan,
 maybe human, bereft.
 
 Kathleen Jamie
 
		
	 
	
	
	
		
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		^^^^mmmm. It took a bit of work as Scottish doesn't come naturally for me but now that I've got it it's lovely. Thanks   
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
 
		
	 
	
	
	
		
	Posts: 438Threads: 374
 Joined: Sep 2014
 
	
	
		Dream Song 1John Berryman
 
 Huffy Henry hid the day,
 unappeasable Henry sulked.
 I see his point,–a trying to put things over.
 It was the thought that they thought
 they could do it made Henry wicked & away.
 But he should have come out and talked.
 
 All the world like a woolen lover
 once did seem on Henry’s side.
 Then came a departure.
 Thereafter nothing fell out as it might or ought.
 I don’t see how Henry, pried
 open for all the world to see, survived.
 
 What he has now to say is a long
 wonder the world can bear & be.
 Once in a sycamore I was glad
 all at the top, and I sang.
 Hard on the land wears the strong sea
 and empty grows every bed.
 
		
	 
	
	
	
		
	Posts: 438Threads: 374
 Joined: Sep 2014
 
	
	
		The words won't paste. 
Listening is better.
 
James Dickey Under Buzzards.
https://www.youtube.com/watch?v=HHkZhYDxmNw 
Mine is the Turkey-Vulture. I've written about them. They're graceful. I got them in my Deep Woods book I've been making lately.
	
		
	 
	
	
	
		
	Posts: 438Threads: 374
 Joined: Sep 2014
 
	
	
		Voices From The Other World  James Merrill
 
 Presently at our touch the teacup stirred,
 Then circled lazily about
 From A to Z. The first voice heard
 (If they are voices, these mute spellers-out)
 Was that of an engineer
 
 Originally from Cologne.
 Dead in his 22nd year
 Of cholera in Cairo, he had KNOWN
 NO HAPPINESS. He once met Goethe, though.
 Goethe had told him: PERSEVERE.
 
 Our blind hound whined. With that, a horde
 Of voices gathered above the Ouija board,
 Some childish and, you might say, blurred
 By sleep; one little boy
 Named Will, reluctant possibly in a ruff
 
 Like a large-lidded page out of El Greco, pulled
 Back the arras for that next voice,
 Cold and portentous: ALL IS LOST.
 FLEE THIS HOUSE. OTTO VON THURN UND TAXIS.
 OBEY. YOU HAVE NO CHOICE.
 
 Frightened, we stopped; but tossed
 Till sunrise striped the rumpled sheets with gold.
 Each night since then, the moon waxes,
 Small insects flit round a cold torch
 We light, that sends them pattering to the porch . . .
 
 But no real Sign. New voices come,
 Dictate addresses, begging us to write;
 Some warn of lives misspent, and all of doom
 In way’s that so exhilarate
 We are sleeping sound of late.
 
 Last night the teacup shattered in a rage.
 Indeed, we have grown nonchalant
 Towards the other world. In the gloom here,
 our elbows on the cleared
 Table, we talk and smoke, pleased to be stirred
 
 Rather by buzzings in the jasmine, by the drone
 Of our own voices and poor blind Rover’s wheeze,
 Than by those clamoring overhead,
 Obsessed or piteous, for a commitment
 We still have wit to postpone
 
 Because, once looked at lit
 By the cold reflections of the dead
 Risen extinct but irresistible,
 Our lives have never seemed more full, more real,
 Nor the full moon more quick to chill.
 
 The moon gives me a warm feeling. But I see his point.
 
		
	 
	
	
	
		
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 Joined: Dec 2017
 
	
	
		 (04-10-2018, 02:13 PM)RiverNotch Wrote:  A Song on the End of the WorldBY CZESLAW MILOSZ
 TRANSLATED BY ANTHONY MILOSZ
 
 On the day the world ends
 A bee circles a clover,
 A fisherman mends a glimmering net.
 Happy porpoises jump in the sea,
 By the rainspout young sparrows are playing
 And the snake is gold-skinned as it should always be.
 
 On the day the world ends
 Women walk through the fields under their umbrellas,
 A drunkard grows sleepy at the edge of a lawn,
 Vegetable peddlers shout in the street
 And a yellow-sailed boat comes nearer the island,
 The voice of a violin lasts in the air
 And leads into a starry night.
 
 And those who expected lightning and thunder
 Are disappointed.
 And those who expected signs and archangels’ trumps
 Do not believe it is happening now.
 As long as the sun and the moon are above,
 As long as the bumblebee visits a rose,
 As long as rosy infants are born
 No one believes it is happening now.
 
 Only a white-haired old man, who would be a prophet
 Yet is not a prophet, for he’s much too busy,
 Repeats while he binds his tomatoes:
 There will be no other end of the world,
 There will be no other end of the world.
 
 Warsaw, 1944
 
coming to it late.....beautiful, just beautiful
	 
		
	 
	
	
	
		
	Posts: 709Threads: 74
 Joined: Mar 2017
 
	
	
		Knowing I Live in a Dark Ageby Milton Acorn
 
 Knowing I live in a dark age before history,
 I watch my wallet and
 am less struck by gunfights in the avenues
 than by the newsie with his dirty pink chapped face
 calling a shabby poet back for his change.
 
 The crows mobbing the blinking, sun-stupid owl;
 wolves eating a hamstrung calf hind end first,
 keeping their meat alive and fresh. . .these
 are marks of foresight, beginnings of wit:
 but Jesus wearing thorns and sunstroke
 beating his life and death into words
 to break the rods and blunt the axes of Rome;
 this and like things followed.
 
 Knowing that in this advertising rainbow
 I live like a trapeze artist with a headache,
 my poems are no aspirins. . . they show
 pale bayonets of grass waving thin on dunes;
 the paralytic and his lyric secrets;
 my friend Al, union builder and cynic,
 hesitating to believe his own delicate poems
 lest he believe in something better than himself:
 and history, which is yet to begin,
 will exceed this, exalt this
 as a poem erases and rewrites its poet.
 
Time is the best editor.
 
		
	 
	
	
	
		
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 Joined: Sep 2013
 
	
	
		“hesitating to believe his own delicate poems”
 Good read, Richard, thanks.
 
billy wrote:welcome to the site. make it your own, wear it like a well loved slipper and wear it out. ella pleads:please click forum titles for posting guidelines, important threads. New poet? Try Poetic DevicesandWard's Tips
 
		
	 
	
	
	
		
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 Joined: Mar 2013
 
	
	
		Darling, It’s Frightening
 Darling, it's frightening! When a poet loves
 he might be an unshriven god enraptured.
 And chaos creeps again up to the light,
 as in the far off ages of the fossils.
 
 His eyes weep tons of billows and he's swathed
 in cloud, so that you'd take him for a mammoth.
 He's out of date. He knows it's no more use.
 His days are over now and he's illiterate.
 
 He sees the way his neighbors hold their weddings,
 how they get roaring drunk and sleep it off,
 how they call common roe - that pickled frogspawn, -
 once she's been married off, the best pressed caviar.
 
 And how they manage to squeeze in a snuff-box
 life that is like a pearly dream by Watteau.
 They take revenge on him; perhaps it's only
 because, while they are twisting and contorting,
 
 while sniggering bourgeois comfort lies and flatters
 and they rub shoulders with the drones and crawl,
 he's raised a girl like you from earth and used her,
 like a Bacchante from her amphora.
 
 And thawing of the Andes melts in kisses
 and morning's on the steppe, beneath the dominion
 of stars that fall in dust, as night goes stumbling
 with bleat growing ever paler, through the village.
 
 And round the straw bed's fevered pain breathe all
 the exhalations of the ancient pit
 and all the vestry's gloomy vegetation.
 And chaos splashes up out of the jungle.
 
 
 Boris Pasternak (1890-1960)
 Trans. J. M. Cowen
 
		
	 
	
	
	
		
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		Let's keep the Canadian content coming   Warren Pryor 
by Alden Nowlan
 
When every pencil meant a sacrifice 
his parents boarded him at school in town, 
slaving to free him from the stony fields, 
the meager acreage that bore them down.
 
They blushed with pride when, at his graduation, 
they watched him picking up the slender scroll, 
his passport from the years of brutal toil 
and lonely patience in a barren hole.
 
When he went in the Bank their cups ran over. 
They marveled how he wore a milk-white shirt 
work days and jeans on Sundays. He was saved 
from their thistle-strewn farm and its red dirt.
 
And he said nothing. Hard and serious 
like a young bear inside his teller's cage, 
his axe-hewn hands upon the paper bills 
aching with empty strength and throttled rage.
	
Time is the best editor.
 
		
	 
	
	
	
		
	Posts: 438Threads: 374
 Joined: Sep 2014
 
	
	
		https://www.youtube.com/watch?v=D7K2iF3hDT0
 
Because it's not always a good poem unless you hear them read it.
	 
		
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